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Fite Fuaite, the Irish for “interwoven.” Jen Murphy weaves a vast cloak of wisdom and culture. Less a story perhaps and more of an incantation and an invocation of the many faces of the divine feminine.
The lore of the Cailleach, the sacred hag known by many names including Old Woman of Beare, gives shape to Jen’s narrative. Over a dozen goddess beings, all representing facets of the Great Mother, in this story: Brigid, Sionann, Morríghan, Anahita, Bóinn, Kali, Badb, Inanna, Mis, Sophia, Baubo, and Sheela-Na-Gig.
Jen Murphy is the award-winning founder of the Celtic School of Embodiment. An anthropologist and mythologist by background, Jen is a cultural dreamer whose work is dedicated to evolving the Irish mythic feminine through scholarship, the body, and the arts, in service to these times.
I highly recommend Jen’s Celtic Woman's Voyage, now offered as a self-study program: www.celticembodiment.com/self-study/voyage
- The best way to experience this story is to release the hold of the intellectual mind and let the heart be in the flow. Jen recommends you let the story move through the body and then respond through image, either by drawing or by actively seeking the images of the story throughout your life.
- This story is inspired by words from Sinéad O’Connor and Marion Woodman and inspired by work Jen did through the Anima Mundi School.
- A profound question to ask: What if I was created in the image of the Great Mother? Who would that give me permission to be?
- James Hillman: “Our dreams are prior to our thinking.”
- To thrive, we need an image of the feminine and the dance of metaphor, not just masculine, fact, and doctrine.
- The need to balance scholarship and research with the emotional response and the realities of cultural dreamtime. Now, scholarship and magic are completely separate, but that wasn’t so for the ancestors.
Music at the start of the show is by Beth Sweeney and Billy Hardy: billyandbeth.com
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